Why has Sonia taken to writing letters to her husband, posted to him in the letter-box just outside their house – love letters, on blue paper, recalling with increasing vividness the early days of their courtship and marriage?

Actors Tony Lo Bianco and Marilyn Chris, and editor Stan Warnow, discuss the 1970 film THE HONEYMOON KILLERS.

Andrew Makepeace Ladd III wrote his first letter to Melissa Gardner to tell her she looked like a lost princess. They were both seven years old. For the next fifty years, through personal triumphs and despair, through wars and marriages and children and careers, they poured out the secrets of their hearts to each other. They defied a fate that schemed to keep them apart and lived—through letters—or the one most meaningful thing, their undying love for each other.

Portland book editor Natalie Holland has chosen the wrong guy – another underachiever – once again. With her life going nowhere fast, she accepts a job offer from publisher and friend Avery Goldstein and moves to Los Angeles. A woman of depth and principle, Portland chic Natalie is a fish out of water in LA. Things only get worse when she learns she’s been hired to edit the latest romance novel from bestselling author Beverly Wilcox, a powerful, glamorous and intimidating figure straight out of "The Devil Wears Prada".

After historic love letters start anonymously appearing in Kallie Sharp's mailbox, the hobby farmer searches for her secret admirer and opens herself up to love.

Musicologist and professor Kosor wakes up in a hospital. He has survived a serious car accident. In a bed next to his lies the amiable economist Gajski, whose wife Melita regularly visits him. This unusually beautiful woman is the first person that Kosor sees after he gains consciousness and is completely enchanted by her. Kosor becomes obsessed by Melita’s physical beauty and her trustworthy character and begins a risky game of writing and sending her anonymous love letters…

In 2018, Apichatpong Weerasethakul made a film called BLUE. In it, actress Jenjira Pongpas Widner is unable to sleep. She is in a bed surrounded by banana trees. Nearby, a set of traditional theater backdrops unspools, revealing two alternate landscapes: a sunset over the sea and the foyer of a royal palace. Later on, her lack of sleep seems to set the place on fire. A flicker of personal and social recollections lingers on throughout the night. Similarly, ON BLUE reflects on the past years as we appear to have slept through the pandemic. Perhaps we are ready to wake up. ON BLUE was inspired by the moments of awakening, of sunrise. When first light reaches the eyes, there is a profound sense of clarity. The color blue was giving way to the the morning gold. Dream and reality coexist, memories and conditionings fade. Even the word "blue" has lost its meaning. In an instant, we are newborns with no ties to anything.

A woman gives a job references to an old friend, but finds she's the one questioned by his potential employer...

Casanova, history's most famous erotic hero, lived the life of an international playboy and adventurer, undertaking secret missions, swindling aristocrats and infuriating authorities wherever he went. Through historical accounts and Casanova's own memoirs and love letters, this fascinating docudrama recreates the exploits of "the World's Greatest Lover," providing new insight into the legacy of a man who was so much more than his reputation would suggest.

Two contemporary poets, one from America (Lyn Hejinian), the other from Russia (Arkadii Dragomoshchenko) are asked to begin a correspondence based on a list of ordinary words such as 'home,' 'book,' 'poverty,' 'violence.' They reflect on each word, considering its conventional meaning and what it means to them personally. The resulting extraordinary five-year dialogue is by turns poignant, profound and funny. Both poets move seamlessly from present to past, a move echoed by the use of striking new and archival footage from both countries. Narrative, travelogue, and memoir are combined in a fusion of image, sound and word that is a total sensual experience. As the film progresses and intimacy grows, both the similarities and differences between Russian and American ways of grasping the world are revealed. Letters Not About Love becomes both a revealing portrait of two cultures and a compelling exploration of language, communication, and the art of mutual understanding.